After leaving

Maen nhw’n dy alw drwy’r dydd
i nôl mawn neu hel mynydd …

It’s you they call, all day long
to fetch peat or gather sheep …

After leaving
 
In time past, a farm hand called ‘W.H.’ carved pictures of ships on the slate stones of a cowshed at Lasynys Fawr.
 
It’s you they call, all day long
to fetch peat or gather sheep,
to harvest oats for the stall,
lure a calf or thatch the rick,
to feed farmyards full of beasts,
cut rushes, pull lambs, clean arses
of horses before the fair,
to rush up to rough pasture
and pursue meadow cattle
at a trot, running all day.
 
It’s you they call, all day long – to jump to
your never-ending tasks:
wanting you yet faster,
it’s that or get a new place.
 
They call you, they call time and again
but for all they call a hundred times,
they cannot reach the damp white sail of
your mind’s eye – your soul’s roving long since,
every evening you’re further out to sea,
your term at an end, anchor aweigh.
 
© Myrddin ap Dafydd 2003, English adaptation © Susan Walton 2010
 
 
Wedi gadael
 
Rhyw dro, cerfiodd gwas ffarm o’r enw ‘W.H.’ luniau llongau ar lechfeini beudy’r Lasynys Fawr.
 
Maen nhw’n dy alw drwy’r dydd
i nôl mawn neu hel mynydd,
i gael y ceirch i’r gowlas,
i lithio’r lloi neu doi’r das,
i borthi llond buarthau,
lladd brwyn, tynnu ŵyn, glanhau
tinau’r ceffylau cyn ffair,
dy frysio i fyd y rhoswair
a dilyn gwartheg dolydd
ar duth, ar redeg drwy’r dydd.
 
Maen nhw’n dy alw drwy’r dydd – dy ysgwyd
i’th dasgau byth beunydd:
isio ’ti brysuro sydd,
hynny neu gael lle newydd.
 
Maen nhw’n galw, dy alw eilwaith
ond dy alw a gân nhw ganwaith,
ni alwan nhw lun o hwyl wen laith
o’th lygaid – mae dy enaid ar daith
eisoes, rwyt bob un noswaith ar y môr,
ym mhen dy dymor, yn mynd ymaith.
 
© Myrddin ap Dafydd 2003, reproduced with the author’s permission
 
This is one of two poems I chose to enter for The Times Stephen Spender Prize for poetry translation in 2010. It is from an award-winning collection by Myrddin ap Dafydd. This collection won the most prestigious prize for poetry – the Chair – at Wales’ National Eisteddfod in 2002.
 
I chose ‘Wedi gadael’ partly because I too have seen carvings of ships on old farm buildings. The other reason is that I understand the feeling of the farm hand. His carving expresses a dream he’s holding like a talisman while he’s at others’ beck and call throughout the day. Without expressing his dream materially, it might slip away under exhaustion and slurry. He’d glimpse the carving during the course of his daily grind, and it would secretly lift his heart.

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